RAL Classic color
RAL 1023 Traffic yellow #FAD201
RAL 1023 Traffic yellow is shown here as #FAD201, a widely published sRGB approximation of the printed swatch. It is a pale vivid amber in the yellow family. In OKLCH it sits at lightness 0.872, chroma 0.179 and hue 95.0°. The nearest CSS named color is gold (#FFD700), ΔE2000 1.2 away.
- Relative luminance
- 0.6642
- OKLCH L · C · h
- 0.872 · 0.179 · 95.0
- Best text
- Black 14.28:1
- Hue family
- Yellow
#FAD201 color codes
- HEX
#FAD201- RGB
rgb(250, 210, 1)- HSL
hsl(50, 99%, 49%)- OKLCH
oklch(0.872 0.179 95.0)- OKLab
oklab(0.872 -0.016 0.178)- CIELAB (D65)
L* 85.21, a* -1.51, b* 85.61- XYZ (D65)
X 62.48, Y 66.42, Z 9.56- CMYK (naive)
cmyk(0%, 16%, 100%, 2%)
CIELAB and XYZ use the D65 white point; CSS lab() uses D50, so paste the OKLCH or HEX value into stylesheets. CMYK here is a plain formula with no press profile.
RAL and RAL Classic are trademarks of RAL gGmbH, which this site is not affiliated with. The sRGB value is an approximation of the printed swatch; check a physical RAL color card before you specify a paint.
Legibility
Contrast: is #FAD201 accessible?
Black text on it reaches 14.28:1, passing AAA. White text fails at 1.47:1.
WCAG 2 gives the same ratio whichever color is the text; APCA does not, so its Lc changes sign and size with polarity.
Open the Contrast System-
Black text on it
14.28:1
- AA passes
- AA large passes
- AAA passes
- APCA Lc +81
-
White text on it
1.47:1
- AA fails
- AA large fails
- AAA fails
- APCA Lc −25
Text is here, unreadable at 1.47:1
-
As text on black
14.28:1
- AA passes
- AA large passes
- AAA passes
- APCA Lc −81
-
As text on white
1.47:1
- AA fails
- AA large fails
- AAA fails
- APCA Lc +21
Text is here, unreadable at 1.47:1
Nearest versions that pass 4.5:1
-
For text on white
#8C7500 4.50:1
Darkening its OKLCH lightness from 0.87 to 0.57 reaches 4.50:1 on white, keeping the hue.
-
For text on black
#FAD201 14.28:1
It already reaches 14.28:1 on black, so no change is needed.
Checking another pair? Use the Contrast Checker.
Studio
Adjust #FAD201 live
Move lightness, chroma and hue in OKLCH, or drag on the map. The map is every lightness and chroma at the current hue: sRGB inside the solid area, Display P3 out to the dashed line.
Scale
Shades and tints of #FAD201
Eleven OKLCH lightness steps at this hue, each with its contrast against white and black. #FAD201 sits at step 200.
Under each step, white and black text on it; a bold figure passes 4.5:1.
Gamut
How vivid #FAD201 can get
At its lightness and hue, sRGB reaches OKLCH chroma 0.179; #FAD201 uses 100% of it. Display P3, which many recent phones and laptops show, reaches 0.207 there: 16% more.
- sRGB
- Display P3
- Rec. 2020
- Dominant wavelength
- OKLCH chroma
- 0.179
- sRGB edge
- 0.179
- Display P3 edge
- 0.207
- Rec. 2020 edge
- 0.212
- Dominant wavelength
- 576 nm
- Excitation purity
- 81%
- Chromaticity
- x 0.4512, y 0.4797
- This color#FAD201
- Most vivid in sRGB#FAD200
- Most vivid in Display P3oklch(0.872 0.207 95.0)
On a screen without Display P3 the last tile shows the sRGB edge instead.
.accent {
color: #fad201;
}
@media (color-gamut: p3) {
.accent { color: color(display-p3 0.9742 0.8247 0); }
}
Mixing
Mixing #FAD201
Each row is the same mix worked out in a different space, with the halfway color at its end. sRGB, which older CSS gradients use, can sag gray or dark in the middle; OKLab keeps the lightness steps even; OKLCH holds chroma and hue as it goes.
White #FFFFFF
- sRGB50%#FDE980
- OKLab50%#FCEAA5
- OKLCH50%#FCEAA5
Black #000000
- sRGB50%#7D6901
- OKLab50%#615000
- OKLCH50%#615000
Its complement #C8D2FF
- sRGB50%#E1D280
- OKLab50%#E0D5AA
- OKLCH50%#FFC2CE
/* A gradient and a mix, worked out in OKLCH */
background: linear-gradient(in oklch, #fad201, white);
color: color-mix(in oklch, #fad201 50%, white);
In use
#FAD201 in an interface
A button, a link, a heading, a focused field, an icon and a chart line in this color, on a light page and a dark one. Each check is a WCAG 2 contrast minimum: 1.4.3 for text, 1.4.11 for the rest.
Light page
- Button labelText, 4.5:114.28:1 Passes
- Link and body-size textText, 4.5:11.47:1 Fails
- Large headingLarge text, 3:11.47:1 Fails
- Icons, borders and focus ringsNon-text, 3:11.47:1 Fails
For text on this page, the nearest shade that passes is #8C7500 4.50:1
Dark page
- Button labelText, 4.5:114.28:1 Passes
- Link and body-size textText, 4.5:112.74:1 Passes
- Large headingLarge text, 3:112.74:1 Passes
- Icons, borders and focus ringsNon-text, 3:112.74:1 Passes
Color vision
How #FAD201 looks with color blindness
Tritanopia changes it most, ΔE2000 33.4; protanopia changes it least, 3.2.
Simulated with Machado et al. (2009) at full severity, in linear light.
Simulate a whole page What each type sees-
Protanopia
No working red (long-wavelength) cones
#EACE00 ΔE2000 3.2
Close match
Reads as pale vivid amber
-
Deuteranopia
No working green (medium-wavelength) cones
#F4DA23 ΔE2000 3.7
Close match
Reads as pale vivid yellow
-
Tritanopia
No working blue (short-wavelength) cones
#FFC0B3 ΔE2000 33.4
Distinct
Reads as pale muted red
-
Achromatopsia
No cone color vision; lightness only
#D5D5D5 ΔE2000 29.3
Distinct
Reads as light gray
Pairing check
Checked against its complement, #C8D2FF. Their lightness contrast is only 1.01:1, so where hue collapses, add a label, icon or pattern.
| Vision | The pair | ΔE2000 | Verdict |
|---|---|---|---|
| Normal vision | #FAD201 · #C8D2FF | 48.9 | Stays distinct |
| Protanopia | #EACE00 · #C5D6FF | 47.4 | Stays distinct |
| Deuteranopia | #F4DA23 · #C2D2FE | 48.5 | Stays distinct |
| Tritanopia | #FFC0B3 · #BBDAE1 | 35.2 | Stays distinct |
| Achromatopsia | #D5D5D5 · #D4D4D4 | 0.2 | Easily confused |
Harmony
Color harmonies for #FAD201
Its complement is #C8D2FF, a pale muted blue, on the cool side of the wheel.
Hue rotations in OKLCH, mapped into sRGB by trimming chroma so hue and lightness stay put.
Open the Harmony Studio- Base#FAD201
- Complement#C8D2FF
Complementary
Open in Harmony Studio- −30°#FFC995
- Base#FAD201
- +30°#BAE956
Analogous
Open in Harmony Studio- Base#FAD201
- +120°#7EE6FF
- +240°#FFBCEF
Triadic
Open in Harmony Studio- Base#FAD201
- +150°#B0DAFF
- +210°#E1C9FF
Split-complementary
Open in Harmony StudioCode
Design tokens
Ready-to-paste tokens in six formats. Rename them to fit your system.
:root {
--color-ral-1023: #fad201;
}
// tailwind.config.js
module.exports = {
theme: {
extend: {
colors: {
'ral-1023': '#fad201',
},
},
},
};
/* app.css — Tailwind CSS v4 */
@import "tailwindcss";
@theme {
--color-ral-1023: oklch(0.872 0.179 95.0);
}
{
"color": {
"ral-1023": {
"$type": "color",
"$value": {
"colorSpace": "srgb",
"components": [0.9804, 0.8235, 0.0039],
"hex": "#fad201"
},
"$description": "RAL 1023 Traffic yellow (approximate sRGB)"
}
}
}
import SwiftUI
enum Palette {
static let ral1023 = Color(.sRGB, red: 0.980, green: 0.824, blue: 0.004, opacity: 1)
}
import androidx.compose.ui.graphics.Color
object Palette {
val Ral1023 = Color(0xFFFAD201)
}
Matches
The nearest match in each system
The closest CSS name, Tailwind shade, RAL Classic paint and Crayola crayon by ΔE2000; under 2 is hard to tell apart side by side. RAL and Crayola values approximate physical colors.
Tools
Open #FAD201 in the tools
Each opens over this page. More colors live in the Color Library, and every color page is listed on the hub.
- Color InspectorEvery format, its names, contrast and color vision in one panel.
- Contrast SystemBlack and white text on this color, with fixes in both directions.
- Harmony StudioPalettes built from this color, walked to a contrast target if you ask.
- Color Space ConverterThe same color in 34 notations, with its gamut headroom.
- Color Name FinderThe nearest of 1,055 color names by ΔE2000.